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Dance Luminary Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Precious About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is effortlessly upright, his limbs muscular beneath a plain white T-shirt. On stage, dancers can seem as mighty gods, yet often in person they are small. Not so Ball, whose tall stature is one reason for his popularity for princely roles and pas de deux work. With fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Ascent to the Top

At 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved directly into the company and was advanced annually, reaching the top rank of lead dancer in 2018. He has loved tackling meaty dramatic roles, particularly the psychological turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured appearance is in a talk, in an "In Conversation" series aiming to offer intimate perspectives into a dancer's art. He will guide the audience through a role, showing his cognitive workflow while execution. Even in lighter works, the challenge is significant. "A classic ballet is one of the most demanding technically," he states.

The Psychological Struggle and After the Show Feelings

What about following a performance, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. Following Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Creative Inspirations

His tenacity stemmed from early experiences. Not doing well in contests at school made him "driven!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming endeavor is making his own choreography. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from books, compositions, and art.

Close-Up Dance and Private Partnership

He additionally is interested in presenting dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On social media, followers can see clips from his projects and images that showcase a sculpted form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball characterizes his early self as "eager for success." Did it met his expectations? "I am conscious of how reality is a different reality to the aspirations you had as a young person," he muses. He likely has about decade of performing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."

KB
About the author

Kelsey Bowman

A tech journalist with over a decade of experience covering UK innovations and digital trends.

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